Music and Dance – Let the Melody Embrace the Beats

Rajasthani Dance Videos

Rajasthani Dance Videos

Dance with the Music of Rajasthan

The vibrancy of Rajasthan is never completely discovered until you engulf yourself in the music and dance of it.

Hot Tour Packages – Heritage Tour with Heritage Hospitality Patronized by erstwhile royalty, the music and dance of Rajasthan follows a legacy that dates back to several centuries. The rich folklore and culture has added some more sparkles to its glory making Rajasthani dance and music a treasured jewel in Indian culture. The tradition of court dances and music performance still can be seen today in the cultural mights making the grandeur of bygone Rajput era alive infront of you. Enjoy a dance performance and we can say for sure that you can’t help yourself from shaking your body in the hypnotizing melody and beat.

Swinging With the Beat

Be it the mesmerizing melody of Sarangi or Shahnai or the cymbal like sound of ‘manjeera’ or the foot tapping beats of ‘khartal’ or ‘dhol’, when they embrace each other on the occasion of a lively dance performance, a magical ambience is created in the golden beauty of Rajasthan. The grace and beauty of the ‘ghoomar’, ‘gair’ and ‘sapera ‘ are increased many fold with the enchanting music and song performance by the professional and folk artists. The folk songs narrate the rich folklore and imperial heritage of the state that has been captivating the entire world for many centuries. Tourists coming to Rajasthan make it a point to attend at least one dance performance while exploring the heavenly beauty of the deserts and thus collecting an unforgettable experience for the entire life.

Mind blowing Skills of Dancers that Tempt

Extraordinary skill of the Rajasthani dancers may take you aback with their sheer perfection and excellence. Extraordinary performance of fire dancers may take your breath away when they dance on the bed of flaming coals swaying their body at drum beats. You will not find any blister in their feet and this shows the immense talent and perseverance they have for the sake of art. Another immensely popular dance ‘Bhavai’ is also well known for the unusual skill of balance when the veiled woman dancer moves at the beats with seven to nine brass pitchers over their head and standing gracefully on the edge of glass or open sword. There are some other folk dances of Rajasthan like Terah Thali and Ghumar which take the excellence of artistry to a new level of height.

Decorating the Dancing Ambience

An inevitable part of Rajasthani culture that make the colourful dance even more graceful is its spectacular attire and dazzling ornaments. Women dressed in heavily embroidered long flowing skirt with multi coloured dupatta and beautiful necklace and bangles when revolves on her heel while performing ‘Sapera’, the amazed spectators even forget to blink or breathe. Heavy jewellery adorned with precious and semi precious stones add a new dimension to the beauty of the dancing grace. The men are dressed in heavily frilled and embroidered ‘kurtas’ or jackets. Men wearing royal sherwanis touching knees are often seen in the Rajasthani festivals that still carry the royal heritage of the state. But the dressing of men is not complete unless they wear the special Rajasthani turban bright with the colour of honour and dignity. The accessories including the ambience of the dance performance make the cheerful enjoyment even more joyous with the overwhelming participation by the viewers.

Rajasthani Folk Music

Music and dance are two very important aspects of the folklore of any region. In Rajasthan, songs play a dominant role in the life of the people. The lyrics are read in a prosaic style. They are not strictly songs and are referred to as duha, soratha etc. Songs, which are more poetic than musical or melodious are called folk poetry. The real folk-song is not something to be read. The words of folk-song become meaningful when they are saturated with the rhythm of music to which they have been spontaneously set through continuous use by the people. This make folk songs timeless and limitless. Folk songs, deal with domestic or family affairs, seasons, festivals, rituals and customs.

Gorbund is a famous folk song which describes the process of preparing a decorative string for a camel, Rajasthan’s traditional mount. The song express the beauty in innocent labour. The composition is particularly moving when sung to the rhythm of Kaharwa. The enjoyment of this song is hundred percent when sung to this raga. The other folk songs are ‘Indhani’, ‘Lawarji’, ‘Jallo’, ‘Hichaki’, ‘Olyun’, ‘Sapno’, ‘Kurjan’ etc. The tunes of these song are melodious and fast that even the rendering of their first times over a stringed instrument makes the audience ecstatic.

Rajasthan has a number of communities whose hereditary profession is to sing for the entertainment of others. Among them are the Dholis (both Hindus and Muslims), Dhadhis, Mirasis, Mangamars, Fedalis, Kalawats and Qawwals, Tangas, Patars and Kanchari (Hindu and Muslim prostitutes), Nats, Rawals and Bhawais. These communities have contributed to the preservation and popularisation of Rajasthani folk songs.

The Ragas

The raga’s most widely used in Rajasthani folk songs are Bilawal, Kafi, Desh, Khamaj and Peelu.  Some in their pure forms and others in combinations. Many folk songs are tuned in Bilawal and Kafi. The folk songs of Rajasthan have maintained the elements of Indian classical music despite the fact that they are freely composed and sung, knowing no rigid rules. Classicism in music have been framing and improving its form with the help of folk-songs. The famous Mand style singing in Rajasthan is a typical example. This style is very important in folk-songs and it is well recognised in classical circles also. Mand is neither accepted as a full-fledged raga nor is it reckoned among the freely rendered folk songs. Mand goes very near the thumri or the ghazal. Mand is the exclusive contribution of Rajasthani folklore to the classical music of India.

The Tal

In Indian music Tal unites the listener with the singer in the rhythm and ecstasy of music. The various ragas and raginis are rendered in accordance with the tempo of the tal differentiated by means of matras ranging from six to sixteen. No classical music composition can be rendered without tal. In Hindustani classical music, the Tal is provided by the tabla, pakhawaj or mridang. Folk music also requires tal for its effective rendering and the instruments used for it are many including the dhol (drum), dholak, nagara, majira, chang and daf. Rajasthani folk-songs make use of six, seven or eight matras of tal on the dholak, tabla and nagara. The Kaharwa tal is generally played on the daf or the chang. The musical instruments used with folk song help to keep the tal which occupies in music, the same place as grammar does in language.

Bhajans and Banis

Bhajans and Banis are dRajasthani singers evotional folk songs which are very popular among the Harijans, Chamars, Bhanghis, Balais and Rahgars. Bhajans and Banis are sung to the accompaniment of the ektara, dholak and majiras, in night-long gatherings. Banis are often prolonged by means of an alap. It lends seriousness to the line and helps the audience grasp its meaning. The Bhajans composed by Mira Bai, the great devotee of Krishna are sung with special devotion in Rajasthan.

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